Ultimate Guide to Film Composition & Framing — Key Elements Explained [Shot List Ep. 11] (1080p_24fps_H264-128kbit_AAC) from bow and angle abcya Watch Video

⏲ Duration: 17:49
👁 View: 5K times
✓ Published: 28-May-2024

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Film Composition Explained<br/><br/>With their origins in fine art, the elements of composition in film provide a foundation for visual storytelling. In this video, the latest in our Shot List series, we’re going to explore cinematic composition and its seemingly endless possibilities. <br/><br/>What is Composition?<br/><br/>Composition is simply how you arrange the elements of your image. This includes your subject and the space surrounding them, the size and shapes, the color and contrast, the leading lines created to help guide the viewer’s eye, and so many more. By understanding the elements of composition in film, you can execute your visual storytelling on a whole new level. <br/><br/>Elements of Composition<br/><br/>There are many “rules” and guidelines when it comes to composition. But no matter which of these composition techniques you use, the goal is always to understand what you want the viewer to take away from a particular image. Creating focal points is a highly valuable skill so that you can guide the viewer’s attention where you want it. This can be done with “leading lines,” creating shapes, the rule of thirds, and even using color and contrast.<br/><br/>There are also framing and composition techniques like “frame within a frame” that helps isolate your main subject. Another technique is the Golden Ratio which uses a pattern we find everywhere in nature to create a sense of balance.<br/><br/>We can also look at how to use depth in the image, creating a sense of space using foreground, middle and background elements. And, of course, the angle of the camera creates its own bias and influence on how the audience perceives a composition.<br/><br/>Learning all of these elements of composition in film at once is certainly a daunting task. But once you get the hang of it, you’ll be able to operate on a more intuitive level where film composition becomes second nature.