_the-mind-of-the-censor-and-the-eye-of-the-beholder-the-first-amendment-and-the-censor39s-dilemma.jpg "The Mind of the Censor and the Eye of the Beholder: The First Amendment and the Censor's Dilemma from 19th century music box Video Screenshot Preview")
GalleryPlay Video:
(Note: The default playback of the video is HD VERSION. If your browser is buffering the video slowly, please play the REGULAR MP4 VERSION or Open The Video below for better experience. Thank you!)
⏲ Duration: 55 min 36 sec
✓ Published: 13-Oct-2021
✓ Published: 13-Oct-2021
Description:
Beginning in the 19th century with Anthony Comstock, America’s “censor in chief,” The Mind of the Censor and the Eye of the Beholder explores how censors operate and why they wore out their welcome in society at large. This book explains how the same tactics were tried and eventually failed in the 20th century, with efforts to censor music, comic books, television, and other forms of popular entertainment. The historic examples illustrate not only the mindset and tactics of censors but als
Beginning in the 19th century with Anthony Comstock, America’s “censor in chief,” The Mind of the Censor and the Eye of the Beholder explores how censors operate and why they wore out their welcome in society at large. This book explains how the same tactics were tried and eventually failed in the 20th century, with efforts to censor music, comic books, television, and other forms of popular entertainment. The historic examples illustrate not only the mindset and tactics of censors but als
Share with your friends:
Whatsapp | Viber | Telegram | Line | SMS
Email | Twitter | Reddit | Tumblr | Pinterest
Related Videos
_home-carrickmacross-workhouse.webp "Client : Monaghan County CouncilnnVoice Talent: Leah LesliennWriter : Leah LeslienProducer : Mark LeslienDirector : Luke LesliennIllustrations : Holly IngramnStoryboards : Matthew ShiellnAnimations : Daniel McNicholl, Rafael Araújo de Medeiros & Luke Leslien3D Models : Iván Pais Nieton3D Model Textures : Alex Glenn MurraynnOriginal Music : Jonathan CaseynTraditional Vocals : Pádraigín Ní UallacháinnViolin : Anna RicenCello : Ailbhe McDonaghnRecording Studio : Red BoxnnSpecial thanks to")
_19th-century-automata-music-box.webp "Lacy Scott u0026 Knight")
_19th-century-music-box.webp "Cool Old Stuff")
_riding-romance-1-swan-laketrailer.webp "Atalante, Gothenburg (Sweden) March 3, 2012.nnIn the 19th century, ballets were seen as trading goods that could be rejuvenated and re-sold, as the choreographer Marius Petipa did with the poorly received ”Swan Lake” from 1877. Since then, several of the world’s most prominent choreographers have made their version of ”Swan Lake”, and now Henriette Pedersen has done the same.nnCostumes, movements, scripts, and even Tchaikovsky’s music has since 1877 been the objects of reconstruction")
_regina-music-box-9234edelweiss9234-or-9234edelwei9234-for-the-german-spelling-porter-music-box-disc.webp "AmpicoGPM")
⏲ 1 minute 36 seconds 👁 352.7K
_jules-massenet-werther.webp "Jules MassenetnWerthernnDrame lyrique in four actsnnJuan Diego Flórez (Werther)nAnna Stéphany (Charlotte)nMélissa Petit (Sophie)nAudun Iversen (Albert)nCheyne Davidson (Le Bailli)nMartin Zysset (Schmidt)nnCornelius Meister, musical directionnTatjana Gürbaca, stage directornKlaus Grünberg, light designnSilke Willrett, costume designnClaus Spahn, dramaturgynnPhilharmonia ZürichnKinderchor der Oper ZürichnChor der Oper ZürichnnForbidden love, wrongdoings and anguish: the Opernhaus Zürich v")
_19th-century-swiss-walnut-music-box.webp "Windsor House Antiques")
_antique-overture-cylinder-music-box.webp "Vincent Freeman Antiques")
_home-carrickmacross-workhouse.jpg)
_19th-century-automata-music-box.jpg)
_19th-century-music-box.jpg)
_riding-romance-1-swan-laketrailer.jpg)
_regina-music-box-9234edelweiss9234-or-9234edelwei9234-for-the-german-spelling-porter-music-box-disc.jpg)
_jules-massenet-werther.jpg)
_19th-century-swiss-walnut-music-box.jpg)
_antique-overture-cylinder-music-box.jpg)
![[+]](/images/menu.gif){kind=small}