_early-release-genius-2-year-old-baby-dev-is-agt39s-youngest-mathematician-124-auditions-124-agt-2024-preview-1.jpg "Early Release: GENIUS 2-Year-Old Baby Dev Is AGT's Youngest Mathematician! | Auditions | AGT 2024 from dev video Video Screenshot Preview 1")
Gallery_early-release-genius-2-year-old-baby-dev-is-agt39s-youngest-mathematician-124-auditions-124-agt-2024-preview-3.jpg "Early Release: GENIUS 2-Year-Old Baby Dev Is AGT's Youngest Mathematician! | Auditions | AGT 2024 from dev video Video Screenshot Preview 3")
Gallery_early-release-genius-2-year-old-baby-dev-is-agt39s-youngest-mathematician-124-auditions-124-agt-2024-preview-hqdefault.jpg "Early Release: GENIUS 2-Year-Old Baby Dev Is AGT's Youngest Mathematician! | Auditions | AGT 2024 from dev video Video Screenshot Preview hqdefault")
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America's Got Talent
America's Got Talent
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_rone-wave-ft-noga-erez-official-music-video.webp "Cyber sex, virtual dating & unwanted voyeurs: a dystopian tale of modern loneliness is plagued by connection issues.nnWave is taken from Rone's latest album, Mirapolis nStream & order: https://idol.lnk.to/MirapolisnListen to Mirapolis on YouTube: https://youtu.be/InD3OQHkQpInn--------------------------------------------------------------nMaking-of pictures + more on instagram: @greg_barthn--------------------------------------------------------------nnDirector: Greg BarthnExecutive Produ")
_capdev-herovideo-r7.webp "CapDev_HeroVideo_R7 from dev video")
_scott-metzger39s-2012-vfx-reel.webp "00:12: The VFX Tour Robot -V-Ray - CG Supervisor, Look dev, lighting, shading, textures, env creation, compositing. n00:26: David Guetta")
_mac-miller-colors-and-shapes.webp "In this music video for “Colors and Shapes,” Hornet Director Sam Mason pays tribute to Mac Miller with a surreal & stirring film commissioned by Miller’s family. Following Mac Miller's dog Ralphie as he embarks on a quest into unconsciousness, the film is a dreamscape portrait with abstract yet realistic CG animation, ethereal transitions, and a genuine, heartfelt story.nnDirector Sam MasonnClient 4 Strikes / Karen MeyersnCommissioned by Miller McCormicknProduction Co HornetnHead of Cr")
_5d-mark-iii-2-5k-raw-2560-x-720.webp "*For best results please don't stream it, download the original ProRes file.*nnExperimental video. One sequence has some tearing. This was the maximum resolution I was able to get reliably with a KomputerBay 1000x CF card on the 5D Mark III with the still early stages raw recording dev code from Magic Lantern.nnIt is a 1:1 crop of the sensor - a much expanded view of what the LCD sees during 5x mag focus assist.")
![We've just contributed our FBX Converter back to Three.js. This short video shows it working: taking an input FBX file, converting it to Three.js JSON, then uploading to Verold Studio. nn[Note: Zelimir is on a dev branch here, that's how he can drop a JSON directly into the scene. We use the converter in our backend, so as a Verold Studio user you simply drop your FBX, OBJ, or other model/scene and we convert for you.]nnIf you like what you're seeing here, learn more about Verold and our plans w](https://cdn6.hifimov.co/picture/preview/nUE0pUZ6Yl9cYaMcoJIiL_EhYzAioF9_nJEyol8mAmL1ZwN5BGtgBQp0ATEvAwV3ZQx5ZTH0ZzVmLJEwBQSuAwt_ZTIyZJH_AwquAQL-LzV3AwLmBTAvAmHlMwyuL_MvAJH3BTEzZl1xKmVjZUtkAGNcXltbFTyTnH1iqv5wolysZmp_AGVjBGx-YGt3AQExLwLlAmN5BGOyAQWvZ_SxLmtkLGL-AwOyMGSyAwL3LGD_BTWvAmL_ZmuwLwp1ZzL5LJAzLwIyAmuxMwZgMP0lZQO-ZGHj/(HiFiMov.co)_three-js-fbx-converter.webp "We've just contributed our FBX Converter back to Three.js. This short video shows it working: taking an input FBX file, converting it to Three.js JSON, then uploading to Verold Studio. nn[Note: Zelimir is on a dev branch here, that's how he can drop a JSON directly into the scene. We use the converter in our backend, so as a Verold Studio user you simply drop your FBX, OBJ, or other model/scene and we convert for you.]nnIf you like what you're seeing here, learn more about Verold and our plans w")
_ilhan-ersahin39s-istanbul-sessions-92.webp "TR/ ENG(below)nnnSokaklarda dolaşan bir grup anonim. Her yer çok kalabalık ama kimlikler bir o kadar az. Birisi olmaya çalışmak, ismini, hızla giden bu dev geminin suda bıraktığı dalgalara yazmak kadar zor. Herkes, herkes ve herkes artık hiç kimse. Kendine kuytular bulduysa bile bu sessizlik, parlayan ekranlar üzerinden var olabildi ancak. O bas bas bağırılan ekranlarda, iktidarın aslında kimde olduğunu hatırlattılar o girilmez denen yerlere girerek. Ama bu güç umurların")
_92.webp "Title:")
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_5d-mark-iii-2-5k-raw-2560-x-720.jpg)
_three-js-fbx-converter.jpg)
_ilhan-ersahin39s-istanbul-sessions-92.jpg)
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