_iwistao-hifi-preamplifier-tone-adjustment-bass-tremble-middle-opa2604-lme49720-class-a-power-stereo.jpg "IWISTAO HIFI Preamplifier Tone Adjustment Bass Tremble Middle OPA2604 LME49720 Class A Power Stereo from low bass sound effect Video Screenshot Preview")
GalleryPlay Video:
(Note: The default playback of the video is HD VERSION. If your browser is buffering the video slowly, please play the REGULAR MP4 VERSION or Open The Video below for better experience. Thank you!)
⏲ Duration: 2 min 88 sec
✓ Published: 08-Nov-2017
✓ Published: 08-Nov-2017
Description:
This preamplifier has tone control functions and adopts class A power, sound extremely delicate, slender high-frequency, low frequency plump and elastic, if use top op amp IC like as OPA2604 or LME49720, it will achieve perfect sound. Specially, it used a R-type audio dedicated transformer. And it has direct access function; you can skip tone adjustment to achieve original sound completely.nn nnWhen audio sourcing record, speaker unit, placing the device is not necessarily perfect, and if your p
This preamplifier has tone control functions and adopts class A power, sound extremely delicate, slender high-frequency, low frequency plump and elastic, if use top op amp IC like as OPA2604 or LME49720, it will achieve perfect sound. Specially, it used a R-type audio dedicated transformer. And it has direct access function; you can skip tone adjustment to achieve original sound completely.nn nnWhen audio sourcing record, speaker unit, placing the device is not necessarily perfect, and if your p
Share with your friends:
Whatsapp | Viber | Telegram | Line | SMS
Email | Twitter | Reddit | Tumblr | Pinterest
Related Videos
_iwistao-hifi-preamplifier-tone-adjustment-bass-tremble-middle-opa2604-lme49720-class-a-power-stereo.webp "This preamplifier has tone control functions and adopts class A power, sound extremely delicate, slender high-frequency, low frequency plump and elastic, if use top op amp IC like as OPA2604 or LME49720, it will achieve perfect sound. Specially, it used a R-type audio dedicated transformer. And it has direct access function; you can skip tone adjustment to achieve original sound completely.nn nnWhen audio sourcing record, speaker unit, placing the device is not necessarily perfect, and if your p")
⏲ 2 min 88 sec ✓ 08-Nov-2017
_metal-head-juggling.webp "A concept i have been working on for 6 years,all percussive sounds are made either by my forehead or feet.Just like traditional kit drumming, this is 4 dimensional playing but instead of using both legs and both arms i am using forehead triggering and both legs.My right foot is operating the bass drum pedal from the beginning of the shot,my left foot is operating the snare which comes in midway through the video.The hi-hat off-beat sound is from the pick up on my forhead.The 4th dimension,althou")
_040321-carolina-in-my-mind-james-taylor.webp "I recorded this track as a play-along practice piece, purely for critique by my fellow members on http://www.scottsbasslessons.comIt is not intended for publication, or wider circulation.It is not for profit.nnI got a reminder, when a new member at Scott’s Bass Lessons joined from North Carolina, just a few days ago.It jogged my own realisation that I had never recorded my own play along with this iconic song.nnI Have long been a fan of James Taylor’s music, which is why I chose to pla")
_sound-design-competition.webp "Waves Sound Design Contest 2011 nSteven Kusumi nnSorry, the pdf didn't transfer very well and I was out of time.nn nEffects and Plug-Ins Usedn n Dragsters ByCuFast no Used Q10 as a crossover, Renaissance Axx to compress the effect, S1 Imager to quickly nnarrow the sound. n Gnat ByLowFastCruis no Used the Morphoder to create an electronic impact sound.Used the C1 to compress nthe sound. n AFX Crowd Cheer 3no Split into sections.Second section – used a Morphoder for a unique disto")
_greenhouse-effect-songs-39people-that-won39t-back-down39-bmi-recordings-jango-music.webp "228,935 Views - Youtube Video 2009 -")
⏲ 3 min 64 sec ✓ 08-May-2011
_waves-sound-design-competition-firemonkey.webp "Due to the video being primarily in slow motion a lot of SoundShifter & Renaissance Bass was used to give it that atmospheric & dramatic feel. The H-Delay was also used a number of times to create a rippling effect to the audio. At the beginning the audio is essentially a literal translation of what appears onscreen, but as the video approaches its climax the crowd & atmospheric sounds are removed to add emphasis to the robotic & metallic sounds which build in intensity until the")
_130621-back-in-the-high-life-again-steve-winwood-mp4.webp "I recorded this track as a play-along practice piece, purely for critique by my fellow members athttp://www.scottsbasslessons.comIt is not intended for publication, or wider circulation.It is not for profit.nI chose to play along with English Singer, Song Writer, Multi-Instrumentalist, Steve Winwood’s recording of “Back In The High Life Again”, which he released in June 1980, on his 4th Solo Album of the same name.nThe Music was composed by Steve Winwood, in conjunction with the Amer")
_waves-sound-design-competition.webp "First up, a foreboding ambient bed was created for the start by pitching down the AFX Crowd Cheer and running it through a C4 to flatten the dynamic range of the low end and filtering out the mid to high frequencies before passing it through the L3-LL Ultra to reintroduce some of the lost energy from the pitch shifting.nnWith the opening shot on the wheel and brake disc, I pitched down some fire crackling with heavily edited and stretched version of the slalom skids, moving vehicle coil and the")
_metal-head-juggling.jpg)
_040321-carolina-in-my-mind-james-taylor.jpg)
_sound-design-competition.jpg)
_greenhouse-effect-songs-39people-that-won39t-back-down39-bmi-recordings-jango-music.jpg)
_waves-sound-design-competition-firemonkey.jpg)
_130621-back-in-the-high-life-again-steve-winwood-mp4.jpg)
_waves-sound-design-competition.jpg)
![[+]](/images/menu.gif){kind=small}