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_mark-gillespie-39shake-it39-only-human-1980.jpg "SHAKE IT is the second track on the 1980 debut album ONLY HUMAN by MARK GILLESPIE.nThe video focuses on the lyrics of the song, which in this case provide enough visual interest..... there being so many of them, all in a funny, surrealist mode.nA feature of this track is the bass-playing of JOE CREIGHTON. nThe Jerry Lee Lewis style piano and the B3 Hammond organ playing of MARK GILLESPIE are also noteworthy, and placed high in the mix by producer JOHN SAYERS. The engineer was JOHN FRENCH.nThe bl")
⏲ 2 min 50 sec ✓ 22-Apr-2012
_mark-gillespie-39passing39-nothing-special-b-side-1981.jpg "PASSING was the B-side of the first single NOTHING SPECIAL from SWEET NOTHING, and was recorded by MARK GILLESPIE in 1981 at the same time as the other songs from the album. It remained unheard for over 30 years until AZTEC MUSIC re-released SWEET NOTHING in 2011, and it was included as a bonus track.nThe video features photos by MARK GILLESPIE of the reproductions of the original artwork for the first single cover sleeve for the earlier album ONLY HUMAN, which included photocopies made by MARK")
⏲ 2 min 74 sec ✓ 24-Apr-2012
_mark-gillespie-39comin39-back-for-more39-1978.jpg "Video of the first single by Australian musician MARK GILLESPIE, recorded in 1978.nPhotograph taken by MARK GILLESPIE of a photo from that time, with song-lyrics subtitled.nVideo made April 2012 in Dhaka - 34 years after the song's release.nVideo made in Dhaka in April 2012 by YUNOHU.")
⏲ 1 min 79 sec ✓ 22-Apr-2012
_mark-gillespie-39city-of-pain39-flame-1992.jpg "CITY OF PAIN is the 8th song on the 1992 album FLAME by Australian musician MARK GILLESPIE.nThe video features photos by MARK GILLESPIE of the 360-degree view from his roof-top in Dhaka, the photos initially dark early then gradually lightening as the camera turns, and dawn approaches, when the sun becomes finally visible in the last few photos of dawn over Dhaka, for some at least a")
⏲ 2 min 63 sec ✓ 23-Apr-2012
_mark-gillespie-39swing-tonight39-sweet-nothing-1981.jpg "SWING TONIGHT is the 4th track on the 1981 album SWEET NOTHING by Australian musician MARK GILLESPIE.nThe video, as suits the macabre nature of the song, features a photo by MARK GILLESPIE of his not too flash-looking feet, modified (only a little) to look like those of a corpse.......the body of the suicidal person sung of in the song. nIn fact it is a very funny song, dry as ice, and in retrospect, odd to think it was released as a 3rd single at the time in Australia, although the music itself")
⏲ 1 min 93 sec ✓ 25-Apr-2012
_mark-gillespie-39stronger-together39-ep-1980.jpg "STRONGER TOGETHER was released in 1980 on a stop-gap EP after the debut album ONLY HUMAN, following MARK GILLESPIE's return from India, and before recording for the second album SWEET NOTHING had begun.nThe video for this song reflects the impossibly")
⏲ 1 min 80 sec ✓ 24-Apr-2012
_mark-gillespie-39night-and-day39-sweet-nothing-1981.jpg "NIGHT AND DAY is the 5th track on the 1981 album SWEET NOTHING by Australian musician MARK GILLESPIE.nThe video is a series of photos by MARK GILLESPIE, initially with brightness reduced for each, then at the end the brighness is increased repeatedly on one last photo to almost full whiteness. The small but feared creature in Bangladesh is known as the 'sengha'. These photos are each of equal duration and edited in time with the rhythm track.nThe song-lyrics appear superimposed after these image")
⏲ 2 min 43 sec ✓ 23-Apr-2012
_mark-gillespie-39rivers-of-blood39-sweet-nothing-1981.jpg "RIVERS OF BLOOD is the 7th track on the 1981 album SWEET NOTHING by Australian musician MARK GILLESPIE.nThe video for this particular song simply uses a photo by MARK GILLESPIE of a red rose, (somewhat modified) to suggest the blood of the song indirectly. The text for the song-lyrics is white, large and bold, and as in some other songs, it was felt right to concentrate only on the actual lyrics of the song, with minimal imagery, leaving it up to the listener's imagination.nThe title of the song")
⏲ 2 min 86 sec ✓ 24-Apr-2012
_social-short-film-39ravaiyaa39-by-biswanath-rath-based-on-a-true-story.jpg "BnR Films presents Social Short Film 'Ravaiyaa' (Hindi). The film is based on a true story and several real incidents. The film is our humble attempt at showing the brighter/extraordinary side of Indian migrant labourers during this unprecedented time of Corona Pandemic. nnThis film is based on a true story and few real incidents. Hope you like the film. And if you liked it, do share in your network and inspire India! :)nnList of Awards & Film Festival Screenings/Premierenn(1) RATMA Internat")
⏲ 4 min 80 sec ✓ 23-Sep-2020
_mark-gillespie-39pile-up39-sweet-nothing-1981.jpg "PILE-UP is the 6th track on the 1981 album SWEET NOTHING by Australian musician MARK GILLESPIE.nThe video is tastefully simple considering the song's subject matter, with just a single photo by MARK GILLESPIE of a funereal-looking flower as worn by the recently bereaved - (actually a guava-tree flower from his garden), andthe song-lyrics are superimposed on this flower-image.nThese lyrics pull no punches.............")
⏲ 2 min 15 sec ✓ 24-Apr-2012
_mark-gillespie-39reason-for-living39-flame-1992.jpg "REASON FOR LIVING is the 11th track on the 1992 album FLAME by Australian musician MARK GILLESPIE.nThe video for this song features photos by MARK GILLESPIE of flowers and fruit, birds and bugs, moths and tortoises, all inside his garden, and a vigilant blue kingfisher and a looping mongoose just outside it.nThese all combine to help radiate a happiness and love for living things, no matter how small or weird-looking.nThe 'reason for living' is something all seek, and the lyrics speak of needing")
⏲ 2 min 97 sec ✓ 24-Apr-2012
_mark-gillespie-39hand-to-hand39-sweet-nothing-1981.jpg "HAND TO HAND is the 3rd track on the 1981 album SWEET NOTHING by Australian musician MARK GILLESPIE.nThe video consists of the photos by MARK GILLESPIE of various cocoons he found around his house in Dhaka, and the beautiful but strange caterpillars that inhabit them, echoing visually the mysterious nature of the music and lyrics of this apocalyptic-sounding song dealing with spiritual transference and lineage.nThe song-lyrics appear as subtitles over the images as they merge from one to another")
⏲ 2 min 48 sec ✓ 23-Apr-2012
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_mark-gillespie-39shake-it39-only-human-1980.webp "SHAKE IT is the second track on the 1980 debut album ONLY HUMAN by MARK GILLESPIE.nThe video focuses on the lyrics of the song, which in this case provide enough visual interest..... there being so many of them, all in a funny, surrealist mode.nA feature of this track is the bass-playing of JOE CREIGHTON. nThe Jerry Lee Lewis style piano and the B3 Hammond organ playing of MARK GILLESPIE are also noteworthy, and placed high in the mix by producer JOHN SAYERS. The engineer was JOHN FRENCH.nThe bl")
_mark-gillespie-39passing39-nothing-special-b-side-1981.webp "PASSING was the B-side of the first single NOTHING SPECIAL from SWEET NOTHING, and was recorded by MARK GILLESPIE in 1981 at the same time as the other songs from the album. It remained unheard for over 30 years until AZTEC MUSIC re-released SWEET NOTHING in 2011, and it was included as a bonus track.nThe video features photos by MARK GILLESPIE of the reproductions of the original artwork for the first single cover sleeve for the earlier album ONLY HUMAN, which included photocopies made by MARK")
_mark-gillespie-39comin39-back-for-more39-1978.webp "Video of the first single by Australian musician MARK GILLESPIE, recorded in 1978.nPhotograph taken by MARK GILLESPIE of a photo from that time, with song-lyrics subtitled.nVideo made April 2012 in Dhaka - 34 years after the song's release.nVideo made in Dhaka in April 2012 by YUNOHU.")
_mark-gillespie-39city-of-pain39-flame-1992.webp "CITY OF PAIN is the 8th song on the 1992 album FLAME by Australian musician MARK GILLESPIE.nThe video features photos by MARK GILLESPIE of the 360-degree view from his roof-top in Dhaka, the photos initially dark early then gradually lightening as the camera turns, and dawn approaches, when the sun becomes finally visible in the last few photos of dawn over Dhaka, for some at least a")
_mark-gillespie-39swing-tonight39-sweet-nothing-1981.webp "SWING TONIGHT is the 4th track on the 1981 album SWEET NOTHING by Australian musician MARK GILLESPIE.nThe video, as suits the macabre nature of the song, features a photo by MARK GILLESPIE of his not too flash-looking feet, modified (only a little) to look like those of a corpse.......the body of the suicidal person sung of in the song. nIn fact it is a very funny song, dry as ice, and in retrospect, odd to think it was released as a 3rd single at the time in Australia, although the music itself")
_mark-gillespie-39stronger-together39-ep-1980.webp "STRONGER TOGETHER was released in 1980 on a stop-gap EP after the debut album ONLY HUMAN, following MARK GILLESPIE's return from India, and before recording for the second album SWEET NOTHING had begun.nThe video for this song reflects the impossibly")
_mark-gillespie-39night-and-day39-sweet-nothing-1981.webp "NIGHT AND DAY is the 5th track on the 1981 album SWEET NOTHING by Australian musician MARK GILLESPIE.nThe video is a series of photos by MARK GILLESPIE, initially with brightness reduced for each, then at the end the brighness is increased repeatedly on one last photo to almost full whiteness. The small but feared creature in Bangladesh is known as the 'sengha'. These photos are each of equal duration and edited in time with the rhythm track.nThe song-lyrics appear superimposed after these image")
_mark-gillespie-39rivers-of-blood39-sweet-nothing-1981.webp "RIVERS OF BLOOD is the 7th track on the 1981 album SWEET NOTHING by Australian musician MARK GILLESPIE.nThe video for this particular song simply uses a photo by MARK GILLESPIE of a red rose, (somewhat modified) to suggest the blood of the song indirectly. The text for the song-lyrics is white, large and bold, and as in some other songs, it was felt right to concentrate only on the actual lyrics of the song, with minimal imagery, leaving it up to the listener's imagination.nThe title of the song")
_social-short-film-39ravaiyaa39-by-biswanath-rath-based-on-a-true-story.webp "BnR Films presents Social Short Film 'Ravaiyaa' (Hindi). The film is based on a true story and several real incidents. The film is our humble attempt at showing the brighter/extraordinary side of Indian migrant labourers during this unprecedented time of Corona Pandemic. nnThis film is based on a true story and few real incidents. Hope you like the film. And if you liked it, do share in your network and inspire India! :)nnList of Awards & Film Festival Screenings/Premierenn(1) RATMA Internat")
_mark-gillespie-39pile-up39-sweet-nothing-1981.webp "PILE-UP is the 6th track on the 1981 album SWEET NOTHING by Australian musician MARK GILLESPIE.nThe video is tastefully simple considering the song's subject matter, with just a single photo by MARK GILLESPIE of a funereal-looking flower as worn by the recently bereaved - (actually a guava-tree flower from his garden), andthe song-lyrics are superimposed on this flower-image.nThese lyrics pull no punches.............")
_mark-gillespie-39reason-for-living39-flame-1992.webp "REASON FOR LIVING is the 11th track on the 1992 album FLAME by Australian musician MARK GILLESPIE.nThe video for this song features photos by MARK GILLESPIE of flowers and fruit, birds and bugs, moths and tortoises, all inside his garden, and a vigilant blue kingfisher and a looping mongoose just outside it.nThese all combine to help radiate a happiness and love for living things, no matter how small or weird-looking.nThe 'reason for living' is something all seek, and the lyrics speak of needing")
_mark-gillespie-39hand-to-hand39-sweet-nothing-1981.webp "HAND TO HAND is the 3rd track on the 1981 album SWEET NOTHING by Australian musician MARK GILLESPIE.nThe video consists of the photos by MARK GILLESPIE of various cocoons he found around his house in Dhaka, and the beautiful but strange caterpillars that inhabit them, echoing visually the mysterious nature of the music and lyrics of this apocalyptic-sounding song dealing with spiritual transference and lineage.nThe song-lyrics appear as subtitles over the images as they merge from one to another")
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