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_world-championship-wrestling-0292-0392-90.jpg "1/31/90; Atlanta, GA; Center Stage Theatre<br/>2/3/90 – featured an opening promo by NWA World Champion Ric Flair, Sting, and NWA TV Champion Arn Anderson regarding their upcoming main event match at the Clash of the Champions; included Jim Ross introducing Jim Cornette as his new co-host; featured a segment running down all the matches scheduled for the Clash; featured a pre-taped interview by Ross with NWA US Champion Lex Luger regarding his not wrestling as part of the Clash and instead being a guest of Funk’s Grill, with Luger saying the match between Flair and Sting should never have been signed and it should be him instead challenging Flair at Wrestle War; included a pre-taped promo by Brian Pillman & Tom Zenk regarding their rivalry with Michael Hayes & Jimmy Garvin, facing them the following week in Cincinnati, OH, and being part of the NWA US Tag Team Championship tournament; featured a promo by Cactus Jack in which he complained about not being mentioned in the Wrestling Wrap Up; included Ross & Cornette conducting an interview with Norman regarding his upcoming match with Kevin Sullivan at the Clash; featured a promo by Buzz Sawyer regarding the main event at the Clash; included a promo by Gordon Solie regarding his being the new co-host of the Power Hour beginning the following Friday; featured Cornette introducing Woman as the guest host of the Louisville Slugger; moments later, Woman said she wanted Flair to come out and turn her down to her face; Flair then appeared and said he was speaking for Anderson and Sting when he said Woman was too distracting for the Horsemen but if she wanted to work out something for outside the ring, that would be fine; Woman then said she would be at the Clash and wanted him to turn her down to her face then; included Solie conducting a backstage interview with the Road Warriors & Paul Ellering regarding their upcoming match at the Clash against the Skyscrapers; featured a video package recapping Sawyer, the Great Muta, and the Dragon Master’s attacks on Flair, Sting, and Anderson:<br/>NWA Tag Team Champions Rick & Scott Steiner defeated Mark Kyle & Brad Batton when Rick pinned Batton with a belly to belly suplex at 4:04; prior to the bout, the champions had a young fan hold their belts at ringside; after the bout, Jim Ross conducted an interview with the Steiners regarding their title defense against Doom at Clash of the Champions, during which Rick said he brought back Alex to be their manager<br/>Michael Hayes & Jimmy Garvin defeated Pat Rose & Keith Hart at 5:17 when Garvin pinned Hart with the DDT; prior to the bout, Hayes & Garvin cut an insert promo regarding the Freebird Follies, which would begin in a few years; mid-way through the contest, Brian Pillman & Tom Zenk appeared ringside; during the match, it was announced Hayes & Garvin would face Pillman & Zenk in a streetfight the following Saturday in Cincinnati, OH The Samoan Savage (w/ Sir Oliver Humperdink) pinned Zan Panzer with a splash off the top at")
⏲ 1:22:40 👁 10K
_woman-on-the-run-1950-ann-sheridan-dennis-o39keefe-robert-keith-124-hollywood-classic-movie.jpg "Woman on the Run (1950) Ann Sheridan, Dennis O'Keefe,Robert Keith | Hollywood classic movie")
⏲ 1:16:47 👁 10K
_92.jpg "A 52-year-old mum who was trolled for looking 82 and \")
⏲ 1:49 👁 65K
_ultimate-guide-to-scene-transitions-every-editing-transition-explained-the-shot-list-ep-9-1080p-24fps-h264-128kbit-aac.jpg "In film editing, transitions between scenes are sometimes overlooked opportunities to help tell your story. While most scene transitions use only a simple cut, there are many more creative and cinematic transitions filmmakers can use. In this video, we’ll review the various video transitions and film transitions, their particular qualities, and what they add to visual storytelling. <br/><br/>One of the most common film transitions is the fade in and fade out. Typically, these are used to open and close a film but they can also be used in between scenes to create a more definitive separation. Besides the cut, one of the most frequently used transitions is the dissolve (or cross dissolve). This is when one scene gradually fades out while the next scene gradually fades in. The dissolve is just one of the techniques used to create seamless transitions but also to suggest a passing of time or to switch to a flashback or dream.<br/><br/>The match cut is a film transition purely meant to create a connection between one shot to the next or one scene to the next. That connection can be made with shapes, colors, movement, or even sound. The match cut is an instant scene transition but a match dissolve accomplishes both the “connection” of a match cut with the “smoothness” of a cross dissolve. The iris transition is an old-fashioned technique that is rarely used unless you’re going for a nostalgic or retro style.<br/><br/>Similarly, the wipe transition is a bit archaic in terms of film and video transitions. George Lucas built the wipe transition into the visual language of Star Wars as a nod to his two biggest inspirations for the Skywalker Saga — the Flash Gordon serials and Kurosawa’s Hidden Fortress. A modern approach to these same cinematic transitions is called a passing transition (or pass-by effect). This involves using movement in the frame to wipe seamlessly into the next scene and it’s one of director Edgar Wright’s favorite film editing transitions.<br/><br/>Next, there’s the whip pan, when the camera pans quickly to create a blurry image (where a cut can be hidden) leading into another whip pan to start the next scene. These types of film transitions not only create smooth transitions, they help sustain the momentum from one scene to the next. A smash cut is perhaps the most abrupt film transition because it is built on contrast between loud and quiet, or active and still, or sometimes both. <br/><br/>Finally, there’s the J cut and L cut, two ways to use a split between audio and video for a variety of effects. For example, an L cut is often used when a character begins narrating a flashback. And a J cut is commonly used to build anticipation for the following scene. These are just the most common video transitions and new transition effects are created all the time. Your job as filmmakers is to find the right scene transitions that help tell your story.")
⏲ 19:28 👁 10K
_vampire-dormitory-ep-03.jpg "Mito Yamamoto is a handsome man, so much so that women swarm the restaurant he works at daily. When the restaurant owner decides that he has had enough, he fires Mito, leaving him unemployed and with no place to call home. Soon after, Mito happens upon a cafe and receives a cut on the hand from broken glass. A strange man named Ruka Saotome takes Mito aside to presumably tend to the injury, but instead, he licks away Mito's blood, remarking that it tastes disgusting before asking Mito to leave. Later that night, Mito accidentally slips off the roof of a building and is caught by Ruka, who reveals himself to be a vampire. Ruka explains that a man's blood tastes disgusting, and the blood of someone unloved has an even worse flavor. However, Ruka cannot drink from girls, so he has been looking for a beautiful boy to become his thrall. He proposes that Mito fill this role and that he allow Ruka's affections to \")
⏲ 23:40 👁 5K
_what-in-the-hell-is-going-on-here-in-nigeria.jpg "Im just trying to figure out what is going on here, we go two old ass Nigerian dudes in the hotel about to go ham dancing because they just got married in Nigeria, where are all the women from Nigeria what's going on. first bob risky now this one nahwhy ohhhh.Disclaimer:Fair use is a legal doctrine that says I can reuse copyright-protected material under certain circumstances without getting permission from the copyright owner.<br/>Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for \")
⏲ 6:0 👁 5K
_trelawny-of-the-39wells39-by-arthur-wing-pinero-bbc-radio-drama.jpg "Trelawny of the \")
⏲ 1:26:43 👁 5K
_woman-on-the-run-1950-ann-sheridan-dennis-o39keefe-robert-keith-124-hollywood-classic-movie.jpg "Woman on the Run (1950) Ann Sheridan, Dennis O'Keefe,Robert Keith | Hollywood classic movie")
⏲ 1:16:47 👁 5K
_2.jpg "هناك تنوع كبير في الأزياء المغربية التقليدية، والتي تعكس الثقافة والتراث الغني للمملكة المغربية. من أبرز أنواع الألبسة المغربية المشهورة:<br/><br/>الجلابة: هي الزي الوطني المغربي الأكثر شيوعًا للرجال والنساء. تتميز بقصتها الواسعة وأكمام طويلة. تصنع من أقمشة قطنية أو صوفية.<br/>القفطان: هو نوع من الملابس الفخمة للمناسبات الخاصة. يتميز بتطريزات غنية وألوان زاهية. له أشكال مختلفة للرجال والنساء.<br/>البرنوس: معطف طويل ذو غطاء للرأس، ويرتديه الرجال عادةً في المناطق الصحراوية لحماية من البرد والرياح.<br/>الحايك: قطعة قماش طويلة تلفها المرأة المغربية حول جسمها وتغطي الرأس. له تصميمات وألوان متنوعة.<br/>الشلوار: سروال فضفاض مطرز من الحرير أو القطن، يرتديه الرجال في المناسبات الخاصة.<br/>هذه هي بعض الأمثلة البارزة للأزياء المغربية التقليدية والتي لا تزال محتفظة بأصالتها وتراثها الثقافي الفريد. لكل منطقة في المغرب أيضًا أنماطها الخاصة من الملاب<br/>There is a great diversity of traditional Moroccan costumes, which reflect the rich culture and heritage of the Kingdom of Morocco. Among the most famous types of Moroccan clothing are:<br/><br/>Djellaba: It is the most common Moroccan national costume for men and women. It features a wide cut and long sleeves. Made from cotton or woolen fabrics.<br/>Caftan: It is a type of luxurious clothing for special occasions. It features rich embroideries and bright colours. It has different shapes for men and women.<br/>Burnos: A long coat with a hood, usually worn by men in desert areas to protect against the cold and wind.<br/>Hayek: A long piece of cloth that a Moroccan woman wraps around her body and covers her head. It has various designs and colors.<br/>Shalwar: Loose, embroidered silk or cotton pants, worn by men on special occasions.<br/>These are some outstanding examples of traditional Moroccan fashion that still retain their authenticity and unique cultural heritage. Each region in Morocco also has its own styles of clothing")
⏲ 0:57 ✓ 31-May-2024
_woman-on-the-run-1950-ann-sheridan-dennis-o39keefe-robert-keith-124-hollywood-classic-movie.jpg "Woman on the Run (1950) Ann Sheridan, Dennis O'Keefe,Robert Keith | Hollywood classic movie")
⏲ 1:16:47 ✓ 26-May-2024
_woman-on-the-run-1950-ann-sheridan-dennis-o39keefe-robert-keith-124-hollywood-classic-movie.jpg "Woman on the Run (1950) Ann Sheridan, Dennis O'Keefe,Robert Keith | Hollywood classic movie")
⏲ 1:16:47 ✓ 26-May-2024
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_world-championship-wrestling-0292-0392-90.webp "1/31/90; Atlanta, GA; Center Stage Theatre<br/>2/3/90 – featured an opening promo by NWA World Champion Ric Flair, Sting, and NWA TV Champion Arn Anderson regarding their upcoming main event match at the Clash of the Champions; included Jim Ross introducing Jim Cornette as his new co-host; featured a segment running down all the matches scheduled for the Clash; featured a pre-taped interview by Ross with NWA US Champion Lex Luger regarding his not wrestling as part of the Clash and instead being a guest of Funk’s Grill, with Luger saying the match between Flair and Sting should never have been signed and it should be him instead challenging Flair at Wrestle War; included a pre-taped promo by Brian Pillman & Tom Zenk regarding their rivalry with Michael Hayes & Jimmy Garvin, facing them the following week in Cincinnati, OH, and being part of the NWA US Tag Team Championship tournament; featured a promo by Cactus Jack in which he complained about not being mentioned in the Wrestling Wrap Up; included Ross & Cornette conducting an interview with Norman regarding his upcoming match with Kevin Sullivan at the Clash; featured a promo by Buzz Sawyer regarding the main event at the Clash; included a promo by Gordon Solie regarding his being the new co-host of the Power Hour beginning the following Friday; featured Cornette introducing Woman as the guest host of the Louisville Slugger; moments later, Woman said she wanted Flair to come out and turn her down to her face; Flair then appeared and said he was speaking for Anderson and Sting when he said Woman was too distracting for the Horsemen but if she wanted to work out something for outside the ring, that would be fine; Woman then said she would be at the Clash and wanted him to turn her down to her face then; included Solie conducting a backstage interview with the Road Warriors & Paul Ellering regarding their upcoming match at the Clash against the Skyscrapers; featured a video package recapping Sawyer, the Great Muta, and the Dragon Master’s attacks on Flair, Sting, and Anderson:<br/>NWA Tag Team Champions Rick & Scott Steiner defeated Mark Kyle & Brad Batton when Rick pinned Batton with a belly to belly suplex at 4:04; prior to the bout, the champions had a young fan hold their belts at ringside; after the bout, Jim Ross conducted an interview with the Steiners regarding their title defense against Doom at Clash of the Champions, during which Rick said he brought back Alex to be their manager<br/>Michael Hayes & Jimmy Garvin defeated Pat Rose & Keith Hart at 5:17 when Garvin pinned Hart with the DDT; prior to the bout, Hayes & Garvin cut an insert promo regarding the Freebird Follies, which would begin in a few years; mid-way through the contest, Brian Pillman & Tom Zenk appeared ringside; during the match, it was announced Hayes & Garvin would face Pillman & Zenk in a streetfight the following Saturday in Cincinnati, OH The Samoan Savage (w/ Sir Oliver Humperdink) pinned Zan Panzer with a splash off the top at")
_woman-on-the-run-1950-ann-sheridan-dennis-o39keefe-robert-keith-124-hollywood-classic-movie.webp "Woman on the Run (1950) Ann Sheridan, Dennis O'Keefe,Robert Keith | Hollywood classic movie")
_92.webp "A 52-year-old mum who was trolled for looking 82 and \")
_ultimate-guide-to-scene-transitions-every-editing-transition-explained-the-shot-list-ep-9-1080p-24fps-h264-128kbit-aac.webp "In film editing, transitions between scenes are sometimes overlooked opportunities to help tell your story. While most scene transitions use only a simple cut, there are many more creative and cinematic transitions filmmakers can use. In this video, we’ll review the various video transitions and film transitions, their particular qualities, and what they add to visual storytelling. <br/><br/>One of the most common film transitions is the fade in and fade out. Typically, these are used to open and close a film but they can also be used in between scenes to create a more definitive separation. Besides the cut, one of the most frequently used transitions is the dissolve (or cross dissolve). This is when one scene gradually fades out while the next scene gradually fades in. The dissolve is just one of the techniques used to create seamless transitions but also to suggest a passing of time or to switch to a flashback or dream.<br/><br/>The match cut is a film transition purely meant to create a connection between one shot to the next or one scene to the next. That connection can be made with shapes, colors, movement, or even sound. The match cut is an instant scene transition but a match dissolve accomplishes both the “connection” of a match cut with the “smoothness” of a cross dissolve. The iris transition is an old-fashioned technique that is rarely used unless you’re going for a nostalgic or retro style.<br/><br/>Similarly, the wipe transition is a bit archaic in terms of film and video transitions. George Lucas built the wipe transition into the visual language of Star Wars as a nod to his two biggest inspirations for the Skywalker Saga — the Flash Gordon serials and Kurosawa’s Hidden Fortress. A modern approach to these same cinematic transitions is called a passing transition (or pass-by effect). This involves using movement in the frame to wipe seamlessly into the next scene and it’s one of director Edgar Wright’s favorite film editing transitions.<br/><br/>Next, there’s the whip pan, when the camera pans quickly to create a blurry image (where a cut can be hidden) leading into another whip pan to start the next scene. These types of film transitions not only create smooth transitions, they help sustain the momentum from one scene to the next. A smash cut is perhaps the most abrupt film transition because it is built on contrast between loud and quiet, or active and still, or sometimes both. <br/><br/>Finally, there’s the J cut and L cut, two ways to use a split between audio and video for a variety of effects. For example, an L cut is often used when a character begins narrating a flashback. And a J cut is commonly used to build anticipation for the following scene. These are just the most common video transitions and new transition effects are created all the time. Your job as filmmakers is to find the right scene transitions that help tell your story.")
_vampire-dormitory-ep-03.webp "Mito Yamamoto is a handsome man, so much so that women swarm the restaurant he works at daily. When the restaurant owner decides that he has had enough, he fires Mito, leaving him unemployed and with no place to call home. Soon after, Mito happens upon a cafe and receives a cut on the hand from broken glass. A strange man named Ruka Saotome takes Mito aside to presumably tend to the injury, but instead, he licks away Mito's blood, remarking that it tastes disgusting before asking Mito to leave. Later that night, Mito accidentally slips off the roof of a building and is caught by Ruka, who reveals himself to be a vampire. Ruka explains that a man's blood tastes disgusting, and the blood of someone unloved has an even worse flavor. However, Ruka cannot drink from girls, so he has been looking for a beautiful boy to become his thrall. He proposes that Mito fill this role and that he allow Ruka's affections to \")
_what-in-the-hell-is-going-on-here-in-nigeria.webp "Im just trying to figure out what is going on here, we go two old ass Nigerian dudes in the hotel about to go ham dancing because they just got married in Nigeria, where are all the women from Nigeria what's going on. first bob risky now this one nahwhy ohhhh.Disclaimer:Fair use is a legal doctrine that says I can reuse copyright-protected material under certain circumstances without getting permission from the copyright owner.<br/>Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for \")
_trelawny-of-the-39wells39-by-arthur-wing-pinero-bbc-radio-drama.webp "Trelawny of the \")
_woman-on-the-run-1950-ann-sheridan-dennis-o39keefe-robert-keith-124-hollywood-classic-movie.webp "Woman on the Run (1950) Ann Sheridan, Dennis O'Keefe,Robert Keith | Hollywood classic movie")
_2.webp "هناك تنوع كبير في الأزياء المغربية التقليدية، والتي تعكس الثقافة والتراث الغني للمملكة المغربية. من أبرز أنواع الألبسة المغربية المشهورة:<br/><br/>الجلابة: هي الزي الوطني المغربي الأكثر شيوعًا للرجال والنساء. تتميز بقصتها الواسعة وأكمام طويلة. تصنع من أقمشة قطنية أو صوفية.<br/>القفطان: هو نوع من الملابس الفخمة للمناسبات الخاصة. يتميز بتطريزات غنية وألوان زاهية. له أشكال مختلفة للرجال والنساء.<br/>البرنوس: معطف طويل ذو غطاء للرأس، ويرتديه الرجال عادةً في المناطق الصحراوية لحماية من البرد والرياح.<br/>الحايك: قطعة قماش طويلة تلفها المرأة المغربية حول جسمها وتغطي الرأس. له تصميمات وألوان متنوعة.<br/>الشلوار: سروال فضفاض مطرز من الحرير أو القطن، يرتديه الرجال في المناسبات الخاصة.<br/>هذه هي بعض الأمثلة البارزة للأزياء المغربية التقليدية والتي لا تزال محتفظة بأصالتها وتراثها الثقافي الفريد. لكل منطقة في المغرب أيضًا أنماطها الخاصة من الملاب<br/>There is a great diversity of traditional Moroccan costumes, which reflect the rich culture and heritage of the Kingdom of Morocco. Among the most famous types of Moroccan clothing are:<br/><br/>Djellaba: It is the most common Moroccan national costume for men and women. It features a wide cut and long sleeves. Made from cotton or woolen fabrics.<br/>Caftan: It is a type of luxurious clothing for special occasions. It features rich embroideries and bright colours. It has different shapes for men and women.<br/>Burnos: A long coat with a hood, usually worn by men in desert areas to protect against the cold and wind.<br/>Hayek: A long piece of cloth that a Moroccan woman wraps around her body and covers her head. It has various designs and colors.<br/>Shalwar: Loose, embroidered silk or cotton pants, worn by men on special occasions.<br/>These are some outstanding examples of traditional Moroccan fashion that still retain their authenticity and unique cultural heritage. Each region in Morocco also has its own styles of clothing")
_woman-on-the-run-1950-ann-sheridan-dennis-o39keefe-robert-keith-124-hollywood-classic-movie.webp "Woman on the Run (1950) Ann Sheridan, Dennis O'Keefe,Robert Keith | Hollywood classic movie")
_woman-on-the-run-1950-ann-sheridan-dennis-o39keefe-robert-keith-124-hollywood-classic-movie.webp "Woman on the Run (1950) Ann Sheridan, Dennis O'Keefe,Robert Keith | Hollywood classic movie")
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