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Heartwarming video shows a woman born with one arm operating bionic hand for the first time - before it's even been fitted to her arm.<br/><br/>Julie Norwood, 53, was born missing her lower left arm and hand.<br/><br/>She never let it hold her back - and found alternative ways to do everyday tasks such as driving and cooking by relying on her right hand.<br/><br/>But the mum-of-two, from Broadstairs, Kent, began to develop arthritis in 2020.<br/><br/>Her right hand is now unable to grip and prevents her from doing lots of things - including administering her important medication for her type one diabetes.<br/><br/>She was put in touch with Open Bionics last month and got to try a pioneering bionic 'hero arm'.<br/><br/>Despite never having operated a bionic arm before, she got the hang of it almost instantly.<br/><br/>Sweet video footage shows an amazed Julie moving the fingers using the sensors - before the hand was even put on her arm.<br/><br/>Now Julie, who works as a checkout assistant, is trying to raise £20,000 so she can have a hero arm of her own.<br/><br/>She said: \
⏲ 2:7 👁 265K
Art Land
⏲ 4 minutes 25 seconds 👁 1.3K
Mister Brush
⏲ 5 minutes 38 seconds 👁 2K
The premise is impressive. As was established through the trailer, Krishna (Naga Shaurya) hails from a ritualistic Brahmin family where the mother (Radhika Sarathkumar) knows how to have her way. When he moves to Hyderabad to do a software job, he feels liberated. This newfound freedom makes him woo Vrinda (Shirley Setia), a North Indian living in the city, at the first opportunity. Vrinda, to his fortune, is his friendly manager. Much as she loves Krishna, Vrinda is in a bind because she is barren owing to a disorder. Krishna now takes a tricky decision. He pulls the wool over his mother's eyes and marries Vrinda. Least does he realize that this is not going to be smooth sailing.<br/><br/>This film doesn't subscribe to regular notions of masculinity. In this regard, director Aneesh R Krishna must be commended. Naga Shaurya's character doesn't mind being at the receiving end of the raw deal if it makes his girlfriend happy. Like many Telugu cinema male leads, he is mistaken often by those who are supposed to behave better.<br/><br/>Mahathi Swara Sagar's musical flavour sits pretty with the mood of the film. 'Emundi Ra' is enjoyable, although the rest of the songs don't match up to its standard. Sai Sriram's cinematography makes the production values look better. Compared to Shaurya's films like 'Nartanasala', 'KVV' has got a much better visual appeal.<br/><br/>For a change, the story taps into the dynamics of an evolving relationship between a woman and her mother-in-law. In doing so, it makes sense. There are dialogues that sensitize us to the need to empathize with the pulls and pressures faced by working women. Radhika Sarathkumar makes us see her character's point without appearing mean. It's also amusing that she is shown to be someone who has the ability to predict the future accurately.<br/>Shirley Setia makes a vivacious Telugu debut. She looks believable as a North Indian migrant in Hyderabad, drawing the unwarranted attention of a lot of men. Amitabh Pradhan's negative role could have been etched in a better way, though.<br/><br/>The arc of Vennela Kishore's character is funny, with the coma portions standing out. Satya is effortless. Brahmaji can make us enjoy even ordinary lines. Wish Rahul Ramakrishna had got to do better. Annapurnamma is seen as Krishna's granny, while Saranya Pradeep and Himaja have their parts.<br/><br/>The second half is where the actual story takes place. Much of the drama happens indoors. The conversations between three different characters make for a dramatic watch. The climax has the right quantum of simplicity and likeability. The pub scene is not squandered away.<br/>On the downside, the workplace portions should have been constructed in a realistic fashion. The frustrations of Satya and Rahul Ramakrishna are captured well initially. By and by, classist humour and regular tropes like a mean guy creeping up the female lead make their way. Nowadays, the audience are expecting workplace dynamics to be shown in an entertaining way without taking creative lib
⏲ 2:18:48 👁 765K
PiKasso Draw
⏲ 4 minutes 19 seconds 👁 233
Indu's Kitchen
⏲ 47 seconds 👁 272.1K
The narrow lanes of Agra's bustling market area led to Jain Chaat Bhandar, roughly a kilometre away from Taj Mahal entry gate, where the aroma of freshly prepared savories and sweets beckons food lovers from far and wide. As the evening sets in, the chaat stalls come alive with a flurry of activity, drawing in locals and tourists alike to savour the city's renowned culinary delights. It is here that OneIndia's Pankaj Mishra found himself, engaging with the diverse crowd in a discussion that transcended mere gastronomic pleasures. With the Lok Sabha elections underway, the conversations veered towards the political landscape, revealing a electorate deeply invested in the future of their city and state. While some expressed their unwavering support for the incumbent BJP, citing the party's development agenda, others voiced their inclination towards the Samajwadi Party, believing it to be a formidable force capable of giving the ruling party a tough fight. Amidst the exchange of views and the savouring of delectable treats, one thing became clear - Agra's voters are poised to play a pivotal role in shaping the region's political destiny.<br/> <br/>#cmyogi #akhileshyadav #election #agraloksabhaseat #loksabhaelection2024<br/>~HT.99~PR.282~CA.144~PR.100~
⏲ 13:5 👁 1.7M
Tyo Story
⏲ 3 minutes 26 seconds 👁 496
Cute Drawings For Beginners
⏲ 7 minutes 11 seconds 👁 580
Made In England The Films of Powell & Pressburger Official trailer - Martin Scorsese’s personal and moving look at two of British cinemas greatest filmmakers.<br/><br/>Martin Scorsese first encountered the films of Powell and Pressburger when he was a child, sitting in front of the family TV. When their famous logo came up on screen, Scorsese says, \
⏲ 2:9 👁 220K
Cartooning Club How to Draw
⏲ 6 minutes 5 seconds 👁 17.1K
SANDTASTIC
⏲ 4 minutes 42 seconds 👁 481
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