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Search Results - Showing 36 - 48 Of 131
Our Generation - The Edge of the World - Turf Lodge
⏲ 43 min 21 sec ✓ 06-Jan-2012
i Darts Trinity, JayaOne
⏲ 4 minutes 34 seconds 👁 535
i Darts HIVE - Playing Crazy Count-Up
⏲ 2 minutes 39 seconds 👁 424
RESET. Espot Festival Clàssics 2020
⏲ 38 sec ✓ 04-Nov-2020
Straight Smile Centre Staff Training @i Darts Adelaide
⏲ 1 minute 36 seconds 👁 93
i Darts DASH food and drinks
⏲ 26 seconds 👁 117
Antic Teatre 18 05 2013 PROTOCOL_101 de Ignacio Galilea
⏲ 2 min 48 sec ✓ 23-May-2013
i Darts Quantum Grand Launch
⏲ 2 minutes 40 seconds 👁 357
Can I Get This1986 Ford Capri to Run And Drive After Being Sat For 25 Years?
⏲ 2 hours 6 minutes 19 seconds 👁 9.2K
Teaser \
⏲ 1 min 95 sec ✓ 20-Dec-2017
Leen Van Dommelen - I Eye (work-in-progress) | (Pas si) Fragile!
⏲ 15 min 18 sec ✓ 03-Apr-2020
BATTEMENT - David Wampach
⏲ 2 min 93 sec ✓ 27-May-2013
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_our-generation-the-edge-of-the-world-turf-lodge.webp "In the shadow of Belfast’s Black Mountain lies the Turf Lodge housing estate, which for most of its 50 year history has been the scene of much poverty and social unrest. Originally, the estate was built to house people from the overcrowded terraced housing of the Lower Falls. It was not unusual for these old one and two bedroomed houses to accommodate twelve people.nn‘We lived down in Grovenor Road, it was my Granny’s house and we slept up in her attic’. Roisin Magee.nnThe original plan")
_i-darts-trinity-jayaone.webp "iDartsMalaysia")
_i-darts-hive-playing-crazy-count-up.webp "i Darts AUS")
_reset-espot-festival-clssics-2020.webp "La 2a edició del ‘Clàssics’, Festival d’Arts Contemporànies i pensament, ens proposa fer RESET, inspirant-nos amb clàssics de tots els temps per repensar el futur. nnDel 16 de novembre al 20 de desembre, podreu gaudir de 65 duels, recitals, entrevistes i peces audiovisuals que enguany, des de de casa vostra i de forma gratuïta a través del web https://festivalclassics.cat/.")
_straight-smile-centre-staff-training-i-darts-adelaide.webp "i Darts Adelaide")
_i-darts-dash-food-and-drinks.webp "iDartsDash PH")
_antic-teatre-18-05-2013-protocol-101-de-ignacio-galilea.webp "IGNACIO GALILEAn“PROTOCOL_101” nESTRENA///ESTRENO///PREMIEREn18 de MAIG a l’Antic Teatrehttp://www.anticteatre.com/ nninfo en cat /// cast /// eng /// fr: http://www.anticteatre.com/programa2013/mayo/ignaciogalilea.html nPerformance sociodèlicanPerformance sociodélic nnIdea i performance: Ignacio Galileahttp://www.ignaciogalileaperformance.blogspot.be/nnCAT///nProtocol_101 és una performance que mostra un mapa dimensional on podem visualitzar, en la mateixa línea de temps, altres m")
_i-darts-quantum-grand-launch.webp "iDartsMalaysia")
_can-i-get-this1986-ford-capri-to-run-and-drive-after-being-sat-for-25-years.webp "Tasty Classics")
_teaser-92.webp "NOS AMOURSnconception, chorégraphique Julie NiochennCRÉATION NOVEMBRE 2016 -Festival Mettre en Scène du T.N.B. de Rennes nnConception, chorégraphie, scénographie Julie NiochenInterprétation Julie NiochenAvec la collaboration det Miguel Garcia LlorensnCréation musicale Alexandre Meyer (à partir des Variations Goldberg de J.S. Bach interprétées par Glenn Gould - 1981) nCréation dessins corporels Laurent Cèbe nRéalisation dessins corporels et manipulation Lisa MiramondnAssistante à")
_leen-van-dommelen-i-eye-work-in-progress-124-pas-si-fragile.webp "(Pas si) Fragile! | Studio ThornnDepuis plusieurs années, des écoles d’arts visuels en Belgique francophone consacrent une partie de leur cursus à l’art performance, répondant ainsi à la dynamique nouvelle de ces pratiques dans le champ artistique professionnel. On voit ainsi apparaître de nouvelles générations d’artistes investissant les scènes belges et internationales de la performance avec des œuvres individuelles ou collectives, multipliant les collaborations... Ils ne font")
_battement-david-wampach.webp "In August 2008, Jean-Marc Adolphe, Editor in Chief of the magazine Mouvement, invited me to work with the group SKITE/Sweet & Tender Collaborations, PORTO 2008. It is a group of 46 artists working together over a 5 week period in the same city in order to create new works.nnI initiated with them a project I called BATTEMENT, questioning the quality of an abstract movement, the grand battement, the high-kicking, emblematic movement of classical ballet. I immediately thought of the famous Fren")
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