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A Bridgerton superfan with a £6k wardrobe of period clothing says strangers constantly mistake her for an extra.<br/><br/>Sophie Andrews, 28, spent 10 years curating a regency wardrobe.<br/><br/>She owns 25 day dresses and 10 ballgowns -which are all handmade by her friend and fellow regency enthusiast, Abigail Rose, 33. <br/><br/>Sophie says she often gets mistaken for dressing specifically as a Brigerton character - and says people even think she's filming for the series.<br/><br/>She is looking forward to watching the latest season of Bridgerton where the protagonist, Penelope, is plus size like herself. <br/><br/>Sophie, an author, from Reading, Berkshire, said: “I’ve always loved Penelope as a character because she was on the side lines and not seen as pretty.<br/><br/>“I’m a larger girl so it will be nice to see that character coming into her own and getting her happy ending despite being seen as a wallflower who’s considered as pretty as the other characters.<br/><br/>“She deserves her happy ending, but I’m not sure about Collin, her love interest. He’ll have to impress me.<br/><br/>“I’ve watched every series with my best friend Abigail, and I suspect we’ll be staying up at midnight together to watch the first part of the new season.<br/><br/>“I’ve got very used to being out and about and people talking to me. It doesn’t faze me.<br/><br/>“People now stop me to speak about Bridgerton and I even get people asking if I’m filming something.”<br/><br/>Sophie has had a passion for regency clothing since she was 18 but says the rise of Bridgerton has led to a fresh attitude towards the period. <br/><br/>\
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in a turtle's dream
⏲ 37 minutes 19 seconds 👁 1.4M
Eh Maybe
⏲ 7 minutes 6 seconds 👁 92.1K
View of the city from the Bay road jetty.
⏲ 0:33 👁 2.8M
Sunny and Melon
⏲ 11 minutes 56 seconds 👁 376.7K
S Z
⏲ 13 minutes 37 seconds 👁 1.3M
Blustery with outbreaks of rain, locally heavy across Wales, southwest England and Northern Ireland whilst further east, it will be dry and warm with sunny spells– This is the Met Office UK Weather forecast for the morning of 30/04/24. Bringing you today’s weather forecast is Alex Deakin<br/>
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Just a regular Pie pink
⏲ 49 seconds 👁 29.4K
Sunny and Melon
⏲ 12 minutes 3 seconds 👁 795.2K
Welcome to our insightful discussion on the intersection of Islamic business principles and taxation strategies! In this engaging conversation, our esteemed guest, Sakhi Ahmed Khan, a seasoned expert in Islamic finance, shares valuable insights on how businesses can navigate the complex landscape of taxation while adhering to ethical and Sharia-compliant practices.<br/><br/> Hosted by Aftab Saleem, this conversation delves into the principles that guide Islamic business, shedding light on the importance of integrity, transparency, and compliance in financial matters. Sakhi Ahmed Khan brings a wealth of knowledge and experience to the table, offering practical advice for entrepreneurs, professionals, and anyone interested in aligning their business practices with Islamic values.<br/><br/> Topics covered include:<br/><br/>Overview of Islamic business principles<br/>Navigating taxation within the framework of Sharia<br/>Ethical considerations in financial transactions<br/>Compliance strategies for businesses<br/> Whether you're a business owner, student, or simply curious about the harmonious integration of faith and finance, this video provides valuable insights that can shape your understanding of Islamic business ethics and taxation.<br/><br/> About our guest:<br/>Sakhi Ahmed Khand is a renowned expert in Islamic finance with a wealth of experience in advising businesses on ethical financial practices. His deep understanding of Islamic principles and modern finance makes him a sought-after speaker and consultant in the field.<br/><br/> About the host:<br/>Aftab Saleem is your guide through this thought-provoking conversation. With a background in finance Taxtaion and a passion for ethical business practices, Aftab leads the discussion, posing insightful questions to extract valuable information for our audience.<br/><br/> Don't miss out on this enlightening discussion! Hit the play button now and join us on a journey through the world of Islamic business and taxation.<br/><br/> Connect with us:<br/><br/>FaceBook:<br/><br/> / businesslinesisb<br/>Linkedin: https: //www.linkedin.com/in/aftab-saleem-7a17bab9/<br/>Youtube: <br/><br/> / @businesslinesofficial<br/><br/><br/>Subscribe, like, and share to support our channel for more informative discussions on the intersection of faith and finance!<br/><br/>#IslamicBusiness #TaxationStrategies #EthicalFinance #IslamicFinance #BusinessEthics #ShariaCompliance #FinanceDiscussion #SakhiAhmedKhand #AftabSaleem
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Madness ensues when a 'Player' in the world of romantic relationships finds a girl who's a worthy opponent. Tu Jhoothi Main Makkaar is a film that believes Love is a battle of wits.<br/>Mickey, a carefree businessman and womaniser, helps couples break up. However, things change for him when he falls for Tinni, a witty and beautiful chartered accountant.<br/>Cast: Ranbir Kapoor, Shraddha Kapoor, Anubhav Singh Bassi, Dimple Kapadia, Boney Kapoor<br/><br/>In a normal universe, Tu Jhoothi Main Makkaar is about a ‘boy’ and a ‘girl’ who fall in love only to realize that they want different things from life. Breaking up is a problem because they’re not Gen Z enough to ghost each other. At most, they hang around in the relationship until the love dissipates. Anything to not have “the talk”. In this normal universe, the film is certainly not called Tu Jhoothi Main Makkaar, or anything on the lines of Sonu Ke Titu Ki Pyaar Ka Punchnama. But in Luv Ranjan’s universe, this same story is a bitter battle of sexes between a good-looking boy and a gorgeous girl who tries to leave him because – horror of horrors – she likes her independence and his family is too overbearing.<br/><br/>You can’t say Ranjan isn’t trying. If anything, this is him reacting to the criticism – that is, the (correct) accusations of casual misogyny bubble-wrapped in crowd-pleasing comedy – of his previous movies. You see, the women in those movies (Pyaar Ka Punchnama, Sonu Ke Titu Ki Sweety) were scheming, conniving caricatures who forced their boyfriends to choose between bromance and romance. Love was a messy war of ownership. But here, the conflict is centered on the woman’s inability to be cruel and manipulative; she is too evolved to be the quintessential Luv Ranjan heroine. (Coincidentally, actress Shraddha Kapoor’s breakout film, from 2011, was called Luv Ka The End). Her Nisha in this film is so nice that, rather than force poor Rohan (Ranbir Kapoor) to choose between his family and her, she attempts to do the nobler thing: Gaslight him into believing he’s the issue. Nisha would rather have Rohan reject her than the other way around. You see, her dishonesty is merely an expression of compassion. This is Luv Ranjan being progressive.<br/><br/>Never mind that Rohan, like his Kartik Aaryan-esque predecessors, decides to turn her predicament into a game. At stake is the incorruptible Indian idea of marrying not just the person, but also the family. In the pink corner lies Rohan’s courage to go from cold Casanova to heartbreaking martyr, and his pride of being a Momma’s Boy. In the blue corner lies Nisha’s reluctance to sacrifice her own ambitions at the altar of Rohan’s Barjatya-shaped love. There can be only one winner. At one point, he subjects Nisha to a sexist rant about women and jobs – except that he’s only pretending to be a horrible man. He’s pretending to be a Kabir Singh so that nobody blames her. For a moment, I was almost impressed by Luv Ranjan’s self-awareness to use toxic masculinity as a smokescreen.
⏲ 2:39:15 👁 285K
The premise is impressive. As was established through the trailer, Krishna (Naga Shaurya) hails from a ritualistic Brahmin family where the mother (Radhika Sarathkumar) knows how to have her way. When he moves to Hyderabad to do a software job, he feels liberated. This newfound freedom makes him woo Vrinda (Shirley Setia), a North Indian living in the city, at the first opportunity. Vrinda, to his fortune, is his friendly manager. Much as she loves Krishna, Vrinda is in a bind because she is barren owing to a disorder. Krishna now takes a tricky decision. He pulls the wool over his mother's eyes and marries Vrinda. Least does he realize that this is not going to be smooth sailing.<br/><br/>This film doesn't subscribe to regular notions of masculinity. In this regard, director Aneesh R Krishna must be commended. Naga Shaurya's character doesn't mind being at the receiving end of the raw deal if it makes his girlfriend happy. Like many Telugu cinema male leads, he is mistaken often by those who are supposed to behave better.<br/><br/>Mahathi Swara Sagar's musical flavour sits pretty with the mood of the film. 'Emundi Ra' is enjoyable, although the rest of the songs don't match up to its standard. Sai Sriram's cinematography makes the production values look better. Compared to Shaurya's films like 'Nartanasala', 'KVV' has got a much better visual appeal.<br/><br/>For a change, the story taps into the dynamics of an evolving relationship between a woman and her mother-in-law. In doing so, it makes sense. There are dialogues that sensitize us to the need to empathize with the pulls and pressures faced by working women. Radhika Sarathkumar makes us see her character's point without appearing mean. It's also amusing that she is shown to be someone who has the ability to predict the future accurately.<br/>Shirley Setia makes a vivacious Telugu debut. She looks believable as a North Indian migrant in Hyderabad, drawing the unwarranted attention of a lot of men. Amitabh Pradhan's negative role could have been etched in a better way, though.<br/><br/>The arc of Vennela Kishore's character is funny, with the coma portions standing out. Satya is effortless. Brahmaji can make us enjoy even ordinary lines. Wish Rahul Ramakrishna had got to do better. Annapurnamma is seen as Krishna's granny, while Saranya Pradeep and Himaja have their parts.<br/><br/>The second half is where the actual story takes place. Much of the drama happens indoors. The conversations between three different characters make for a dramatic watch. The climax has the right quantum of simplicity and likeability. The pub scene is not squandered away.<br/>On the downside, the workplace portions should have been constructed in a realistic fashion. The frustrations of Satya and Rahul Ramakrishna are captured well initially. By and by, classist humour and regular tropes like a mean guy creeping up the female lead make their way. Nowadays, the audience are expecting workplace dynamics to be shown in an entertaining way without taking creative lib
⏲ 2:18:48 👁 495K
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