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STAX Soulsville U.S.A. Trailer HD - Documentary series - Story of an underdog, interracial record label that ushered in the groundbreaking music of Otis Redding, Isaac Hayes, Booker T. & the M.G.’s, The Staple Singers, Sam & Dave and many others - Plot synopsis: By 1973, Stax Records was one of the recording industry’s most influential producers of soul music, breaking acts such as Otis Redding, Isaac Hayes, Booker T. & the M.G.’s, Sam & Dave, and many more. In just under two decades, the scrappy outsider had grown from a modest family-owned record store and studio in Memphis, TN to a trailblazing global music label. STAX: SOULSVILLE U.S.A. chronicles the audacious group of individuals who dared to make music on their own terms, smashing racial barriers and defining an era and leaving an enduring musical legacy in their wake. Driven by a striking collection of restored and remastered archival performance footage and intimate interviews with key players in the label’s remarkable history, STAX: SOULSVILLE U.S.A. details the unlikely origin story of Stax Records and pays tribute to its complex music library and the legendary artists that emerged from the iconic studio.<br/><br/>Founded in 1957 by Jim Stewart and co-owned with his sister, Estelle Axton, the company drew upon a mix of young, local talent – musicians, songwriters, and producers – who would create the unforgettable Stax sound. Against the backdrop of the American south of the ‘50s, ‘60s, and ‘70s, white and Black artists worked together, defying segregation, and producing hits such as “(Sittin’ On) the Dock of the Bay,” “Soul Man,” “Green Onions,” and the Oscar®-winning “Theme from Shaft.” At the peak of its success, Stax artists commemorated the Watts Rebellion by playing to over 100,000 African Americans at the 1972 benefit concert Wattstax. During an era of major social turbulence, systemic inequity, and racial tensions, Stax, an integrated company, saw stunning artistic and cultural success, and managed to rebound from repeated business setbacks and tragic losses before the studio ultimately dissolved after fifteen pioneering years. <br/><br/>STAX: Soulsville, U.S.A.Releases on HBO and Streams on MAX on May 20 & 21st 2024<br/><br/>Directed by Jamila Wignot <br/>Produced by Jamila Wignot and Kara Elverson<br/>Executive Produced by Ezra Edelman, Caroline Waterlow, Nigel Sinclair, Nicholas Ferrall, Scott Pascucci, Sophia Dilley, Michele Smith, Jody Gerson, David Blackman, Charlie Cohen, and Ron Broitman<br/>Featuring Otis Redding, Estelle Axton, Al Bell, Steve Cropper, Isaac Hayes, Booker T. Jones, Sam Moore, Deanie Parker, David Porter, Jim Stewart, Carla Thomas
⏲ 2:13 👁 60K
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⏲ 3 minutes 47 seconds 👁 2.5K
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⏲ 3 minutes 22 seconds 👁 5.1K
Spider-Man is a 2002 American superhero film based on the Marvel Comics character of the same name, created by Stan Lee and Steve Ditko. Directed by Sam Raimi from a screenplay by David Koepp, it is the first instalment in Raimi's Spider-Man trilogy, produced by Columbia Pictures in association with Marvel Enterprises and Laura Ziskin Productions, and distributed by Sony Pictures Releasing. The film stars Tobey Maguire as the titular character, alongside Willem Dafoe, Kirsten Dunst, James Franco, Cliff Robertson, and Rosemary Harris. The film chronicles Spider-Man's origin story and early superhero career. After being bitten by a genetically altered spider, teenager Peter Parker develops spider-like superhuman abilities and adopts a masked superhero identity to fight crime in New York City, facing the sinister Green Goblin in the process.<br/><br/>Development on a live-action Spider-Man film began in 1975. Filmmakers Tobe Hooper, James Cameron, and Joseph Zito were all attached to direct the film at one point. However, the project would languish in development hell due to licensing and financial issues. After progress on the film stalled for nearly 25 years, it was licensed for a worldwide release by Columbia Pictures in 1999 after it acquired options from Metro-Goldwyn-Mayer (MGM) on all previous scripts developed by Cannon Films, Carolco, and New Cannon. Exercising its option on just two elements from the multi-script acquisition (a different screenplay was written by James Cameron, Ted Newsom, John Brancato, Barney Cohen, and Joseph Goldman), Sony hired Koepp to create a working screenplay (credited as Cameron's), and Koepp received sole credit in the final billing. Directors Roland Emmerich, Ang Lee, Chris Columbus, Barry Sonnenfeld, Tim Burton, Michael Bay, Jan de Bont, M. Night Shyamalan, Tony Scott, and David Fincher were considered to direct the project before Raimi was hired as director in 2000. The Koepp script was rewritten by Scott Rosenberg during pre-production and received a dialogue polish from Alvin Sargent during production. Filming took place in Los Angeles and New York City from January to June 2001. Danny Elfman was hired to compose the film's score, while Sony Pictures Imageworks handled the film's visual effects.<br/><br/>Spider-Man premiered at the Mann Village Theater on April 29, 2002, and was released in the United States on May 3. The film received positive reviews from critics and audiences, who praised Raimi's direction, the story, the performances, the visual effects, the action sequences, and the musical score. It was the first film to reach $100 million in a single weekend, as well as the most successful film based on a comic book at the time. With a box office gross of over $825 million worldwide, it was the third-highest-grossing film of 2002, the highest-grossing superhero film, and the sixth-highest-grossing film overall at the time of release. The film garnered nominations for Best Sound and Best Visual Effects at the 75th A
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