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Virtual Tour of the 60th International Art Exhibition – La Biennale di Venezia in the Arsenale.<br/>Venice Art Biennale 2024: Foreigners Everywhere. Venice (Italy), April 17, 2024.

Venice Art Biennale 2024: Foreigners Everywhere \Arsenale

⏲ 8:3 👁 155K

Trappeurs u0026 Trappeuses Québec

Le Monde dans un tableau Le chapeau de Vermeer VF

⏲ 1 hour 15 minutes 55 seconds 👁 20.9K

Fab Cévennes / His-Géo-EMC-HGGSP / Lycée

Chapeau de Vermeer : peau de castor et première mondialisation ? (Timothy Brook)

⏲ 5 minutes 12 seconds 👁 2.1K

Virtual Tour of the 60th International Art Exhibition – La Biennale di Venezia in the Giardini.<br/>Venice Art Biennale 2024: Foreigners Everywhere. Venice (Italy), April 17, 2024.

Venice Art Biennale 2024: Foreigners Everywhere \Giardini

⏲ 8:8 👁 255K

Notre Histoire

Le faussaire de Vermeer : Han van Meegeren - Pillage oeuvres d'art - Documentaire Histoire - SHK

⏲ 52 minutes 50 seconds 👁 18K

FRANCE 24

Vermeer : ce maître mystérieux • FRANCE 24

⏲ 5 minutes 51 seconds 👁 16.4K

Website link: https://corneakkers.com/2019/07/13/kethel-13-07-19/<br/>Printable: https://corneakkers.com/product/printable-kethel-13-07-19/<br/><br/>Tree in Bloom<br/><br/>When I returned to my car from my trip to Kethel, Schiedam, Netherlands, I saw this beautiful tree in bloom. Sometimes you look for grand things and the little all of a sudden pop into your eyes when least expected. The actual tree was in no interesting area but the very shape struck me by lightning. I took a picture and decided to do it only now (in summer). Live sketching can be overrated. It so happened that I do not have some pencils, paper and a camping chair at hand. Furthermore, I regularly see so many motifs that I cannot draw all at the very spot. From the moment I took this picture I planned to do this anyway, live or not.<br/><br/>Encapsulated<br/><br/>The last time I visited this beautiful little village was in Spring when I drew my first graphite pencil drawing ‘Kethel – 22-04-19’. Unfortunately Kethel has been completely surrounded by apartment buildings. The crazy thing is that first I could not find it at all. I had to climb the roof of the local supermarket in order to spot the top of its bell tower. Then I saw it was completely encapsulated by modern architecture. The village has managed to keep its original character though. Now looks like an open-air museum that is cherished like a dear gem.<br/><br/>Roundism<br/><br/>I tried to capture the flow of the flowering tree and of course in my roundish style. I thought of a couple of recent landscapes I did in that style. Beek – 11-06-19 was the last. Finally I feel this one hits the right spot. Is more profoundly roundism and it expresses exactly what I tried to convey. That was a rhythym of broken curves, thick and thin. Lucky for me someone else catched my drift so I sold it quickly.<br/><br/>Graphite pencil drawing (Pentel 0.5 mm, 3B) on Winsor & Newton paper (10.5 x 14.8 x 0.1 cm – A6 format)<br/>Artist: Corné Akkers

Creating Kethel - 13-07-19 (Sold)

⏲ 0:38 👁 20K

DW Documentary

The mysterious Vermeer - The secret behind a 350-year-old painting | DW Documentary

⏲ 42 minutes 27 seconds 👁 263.8K

Great Art Explained

The Milkmaid by Johannes Vermeer: Great Art Explained

⏲ 18 minutes 29 seconds 👁 502.2K

Kapwani Kiwanga: Trinket / Canadian Pavilion at the 60th International Art Exhibition – La Biennale di Venezia. Venice (Italy), April 19, 2024.<br/><br/>Official description: Kapwani Kiwanga is a multi-disciplinary artist concerned with forms of power: their suppressed histories and quotidian effects. The artist transforms the Canada Pavilion by way of a site- specific sculptural installation on the building’s interior and exterior, turning it into a large-scale tableau. Shapes shift, dissolving distinctions between inside and outside. As one moves through the coil-like architecture, it unfolds, multiplying perspectives. The installation principally consists of conterie (seed beads), historically employed as both currency and items of exchange. Conterie were dispersed globally from the Venetian island of Murano and incorporated into various material cultures. Kiwanga uses these tiny glass units to construct the monumental out of the minute, each bead acting as a witness to past transactions that changed the socioeconomic landscape of the sixteenth century and beyond. The work addresses the often-destructive history of commerce and how the trade of these beads shaped the world. Other materials related to the trade of conterie are also included. They rise from the pavilion’s floor onto the walls and spill out into the courtyard. As they meet the beads, they formalise a place of exchange, prompting reflection on issues of value, aesthetics, and global economic relations.

Kapwani Kiwanga: Trinket \Canadian Pavilion at Venice Art Biennale 2024

⏲ 8:8 ✓ 25-Apr-2024

Smarthistory

Johannes Vermeer, The Art of Painting

⏲ 4 minutes 56 seconds 👁 61.5K

LearnFromMasters

Johannes Vermeer: A collection of 41 paintings (HD)

⏲ 3 minutes 38 seconds 👁 48.8K

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