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Choreography by Nia® Black Belt, Lola Manekin and 5th Black Belt in Karate, 3rd Black Belt and Bando and Black Belt in Hapkido Jennifer Lake. nnFocus: Head and Eye MovementnIntention: Sensing Presence and Precision nnThis experience was crafted using the 52 Moves of the Nia® Technique created by Debbie and Carlos Rosas.nnChoreography has been crafted independently and has not been endorsed by the Nia® Technique. nnMusic Rights belong to artist.nnPlaylistnnSong 1 - Sospiro by Bardo StatenSong
⏲ 37 min 91 sec ✓ 26-Jul-2019
Times Music Bangla
⏲ 3 minutes 7 seconds 👁 4.6M
SVF Music
⏲ 3 minutes 21 seconds 👁 6.4M
ऑफिस-ऑफिस’ के ‘शुक्ला’ कहिए या ‘धमाल’ के ‘बाबू भाई’ या ‘वेध’ के ‘शंभूनाथ’, टीवी से बॉलीवुड में छा जाने वाले एक्टर्स में से एक, जो अपने हर किरदार में लोगों के दिलों के बेहद करीब पहुंचने में सफल रहे हैं, वह हैं संजय मिश्रा. अपनी एक्टिंग से लेकर अपने मजेदार और देसी डायलॉग से लोगों को गुदगुदाने वाले संजय ने हाल ही में एक ट्वीट किया, जो अब वायरल हो रहा है.<br/> <br/>Call it 'Shukla' of 'Office-Office' or 'Babu Bhai' of 'Dhamaal' or 'Shambhunath' of 'Vedh', one of the actors who has become popular in Bollywood from TV, who is very close to the hearts of people in every character of his. The one who has been successful in reaching here is Sanjay Mishra. Sanjay, who tickles people with his acting and his funny and desi dialogues, recently made a tweet, which is now going viral. <br/> <br/>#SanjayMishraFanScoldedFanOnTwetter, #SanjayMishraScoldFanTweetViral, #SanjayMishraSlamsFanViralTweet, #SanjayMishraNewsToday<br/>~HT.97~PR.266~ED.284~
⏲ 3:3 👁 320K
Times Music Bangla
⏲ 3 minutes 55 seconds 👁 1.7M
SurinderFilms
⏲ 4 minutes 35 seconds 👁 8.4M
Story: Najeeb leaves for the Gulf to provide a better life for his family in Kerala, but in caught in the cruel realities of work here<br/>You don’t see Prithviraj the superstar in Aadujeevitham. Thanks to the real Najeeb’s presence during the movie promotions, you can see that the actor has brought alive on screen the character on whose life the story is based.<br/>Based on the book by Benyamin, Blessy’s directorial is almost a dystopian take on migrant life in the Middle East. Najeeb mortgages his property to get a visa for the Gulf. In the layered story, we see Najeeb leave behind a verdant Kerala in the hope of providing better opportunities for his family. But he and a friend, Hakim, are unwittingly picked up by the wrong Arab sponsor when they land in Saudi Arabia and are taken to separate desert camps to herd goats.<br/>The first half superbly juxtaposes life in Kerala and the harsh and cruel realities of the desert, where Najeeb lives a torturous existence with barely any food or water to meet his basic needs. And it would seem that the animals are kinder than the masters. Your heart goes out to the character and the trauma that his life has ironically become, in the hope of better pursuits.<br/>As one horrible day grows into another, Najeeb suddenly meets Hakim again and there is a slight hope of the chance to escape with the help of an African labourer, Ibrahim Qadri, who is, apparently, familiar with the area. Will they be able to come out safe forms the rest of the story. But the second half falls slightly short, for one, with the story stretching on, and also with the director’s propensity for gimmicks, which takes away from the overall gem of a story.<br/>What to say about Prithviraj, except that he lives the character and is superb as Najeeb, who is completely lost and at wit’s end in this unfamiliar region. Quite apart from the stunning body transformation, he brings the right mix of innocence and vulnerability to the role.<br/>The cinematography by Sunil KS and KU Mohanan give the film the feel of a masterpiece. The desert is stark under their gaze and adds to the emotions of the storytelling. AR Rahman’s soulful music is already a hit on social media.<br/>Having said all this, there is a slight lack of emotional resonance that was found in movies like Manjummel Boys and Premalu, the recent big Malayalam hits. But for a realistically told story of a man’s resilience and for Prithviraj’s acting, Aadujeevitham is bound to move audiences.<br/>#blessy #aadujeevitham #thegoatlife #prithvirajsukumaran #malayalamcinema
⏲ 1:33 👁 375K
SUFISCORE
⏲ 5 minutes 15 seconds 👁 23.3M
SVF
⏲ 4 minutes 32 seconds 👁 14.6M
Coke Studio Season 9| Episode 2<br/>Song Name: Afreen Afreen<br/>Nusrat Fateh Ali Khan was one of the shining lights of Pakistan, a Qawwali Shahehshah whose talent was heralded both locally and globally. To celebrate the legend that still lives 19 years on, Coke Studio presents<br/>Afreen Afreen, Rahat Fateh Ali Khan & Momina Mustehsan, Episode 2, Coke Studio 9<br/><br/>Music Directed by Faakhir Mehmood<br/>Produced by Strings<br/>The beautifully crafted ‘Afreen Afreen’ sung two decades ago by the legendry, Nusrat Fateh Ali Khan still holds the strength to serenade the audience with its poetic and soothing sensibilities. The reformation of the track on Coke Studio – arranged by Faakhir Mehmood and performed by maestro Rahat Fateh Ali Khan and debutant, Momina Mustehsan – transforms the Qawwali seamlessly into an unplugged track. Within the genre, the atmosphere of the song remains ambient and acoustic, as the bare minimum elements give room to Rahat’s majestic vocals to improvise the mastery he possesses. Momina enters the song as she punctuates the additional melody with her laid-back effortless velvety vocals. Towards the end, the track is perfectly complimented with the incredible drum roll and a hyper groove as the traditional ‘Afreen Afreen’ chants are delivered with heartfelt emotion and melodic panache.
⏲ 6:45 👁 50K
SVF Music
⏲ 3 minutes 7 seconds 👁 1.7M
SVF
⏲ 4 minutes 24 seconds 👁 7.8M
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