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‘Amar Singh Chamkila’ review: An off-key biopic of the iconic Punjabi singer.<br/>Amar Singh Chamkila - Full Movie | Diljit Dosanjh, Imtiaz Ali, A. R. Rahman, Irshad Kamil, Parineeti<br/>Imtiaz Ali’s Amar Singh Chamkila attempts to bottle the essence of a legendary Punjabi singer who evades easy categorisation. Murdered in 1988 at the age of 27 when he was at the height of his powers, Chamkila is an exemplar of the supernova who lives and dies for art.<br/><br/>Biopics on Chamkila have been previously announced and abandoned; at least one of them, starring Diljit Dosanjh, was completed but stalled by a lawsuit. Chamkila’s unsolved assassination shaped key plot points in Rohit Jugraj’s web series Chamak (2023). The difficulty of drawing definitive conclusions about Chamkila’s multi-faceted legacy led to Kabir Singh Chowdhry’s fascinating experimental docu-fiction Mehsampur (2018).Ali’s version, which is out on Netflix and is also led by Dosanjh, reaches for low-hanging fruit: who – or what – killed Chamkila?<br/><br/>The screenplay, by Imtiaz Ali and Sajid Ali, unfolds like a police procedural. Chamkila (Dosanjh) is gunned down along with his singer-wife Amarjot (Parineeti Chopra) soon after they arrive in Mehsampur for a concert. A police officer who dismisses the icon as a vulgarian learns about Chamkila’s hardscrabble background, overnight success, and the unwelcome attention he attracted for his bawdy, taboo-busting songs.I discovered the man who was born Dhani Ram, one man says. I gave him his stage name, another asserts. Inspired by the goings-on around him, Chamkila wields his tumbi like a magic wand, bewitching local listeners as well as the Punjabi diaspora. Yet, his fame cannot shield from him from the ire of militants, religious leaders and the police.<br/><br/>Dosanjh, Chopra, and a few other singers perform Chamkila’s original songs in Punjabi, with the Hindi translations appearing on the screen. AR Rahman’s Punjabi pop-inflected Hindi soundtrack is woven into the musical-like saga. (Punjab is called Panjab throughout the movie.)The hot-blooded account of a cold case includes animation, split screens and footage of the real Chamkila and Amarjot. There is enough archival material included in the film to make the heart yearn for a straight-up documentary.<br/><br/>The music video-level aesthetic creates enough momentum to distract from how mundane the movie turns out to be. Chowdhry’s Mehsampur suggested that the aura around Chamkila was too thick to penetrate, especially by filmmakers who had not breathed the same air as him. Ali is untrammelled by such concerns. Having bagged the rights to Chamkila’s music catalogue, and having recruited big-name talent, Ali sets out to Bollywoodise the folk performer.The biopic is fixated on the explicit lyrics that put Chamkila on the top of charts and hit lists. Ali’s recent projects similarly focus on sexual matters, including the shows She, about a repressed police constable, and Dr Arora, about a sexologist.

Amar Singh Chamkila _ Full Movie _ Based on Real Life Story _ Diljit Dosanjh, ParineetiChopra

⏲ 2:26:7 👁 5M

Everlasting Gospel UK

Beautiful & Uplifting Gospel HymnsAlanJacksonwith Instrumental Hymns

⏲ 2 hours 41 minutes 27 seconds 👁 2.5M

Jesus I Need You

Classic Country Gospel Alan Jackson - Alan Jackson Greatest Hits - Alan Jackson Gospel Songs Album

⏲ 35 minutes 24 seconds 👁 438.7K

I starring Chiyaan Vikram, Amy Jackson, Santhanam, Suresh Gopi, Ramkumar, Upen Patel, Powerstar Srinivasan, Yogi Babu and Ojas Rajani.<br/>I, the film, has three distinct acts. The first is of Lingesan (Vikram) obsessing over supermodel Diya (Amy Jackson), who smiles down at him from billboards and through the television and in newspapers. His fascination for her results in some bizarre manifestations like the song sequence where his handset and motorcycle (and even a fish in a supermarket) take Diya’s form.<br/><br/>When he is not being just a tad bit leery, Lingesan trains at Arnold Gym (very subtle nod to his idol) to prepare for the Mr. Tamil competition. When a bulky rival tries to scare him away, Lingesan challenges him to beat him at his game and not ask him to back away like a woman. (Bombast dialogue = 1. Notions of gender = 0). The competition plays with the standard masala humourthroughsongs like ‘Made in India’ and ‘Marhaba’to jolt you out of the staleness-induced stupor.<br/><br/><br/>There is a fight scene after that with a few muscled competitors and the hero, because winning graciously is a lost art on them. After punches and bodies fly thick through the air, there is a moment when the men regroup on the hero to jiggle their moobs at him. That is only beginning of the cringe-worthy scenes that are to follow.<br/>Meanwhile, Diya is constantly badgered by her co-model John (Upen Patel) for a date. She does not comply and he uses his clout to remove her from key assignments. Act 2 has Diya grooming Lingesan into Lee, a more enticing professional counterpart. Here, the makers throw in a transgender makeup artist (Ojas M Rajani), the stereotyping making the most hardened viewer recoil. Act 3 features a gruesome sabotage of the hero’s appearance, which morphs into a revenge drama. Lingesan, seething, disfigured and vengeful, will give it as good as he has gotten.<br/><br/><br/>I may not have an original concept, but a less tiresome execution could have worked immensely in its favour. The beginning may seem made with the quintessential flair of a standard potboiler, but the sequences shot in China are truly breathtaking. This happens in Act 2,when the proceedings are still light and Diya-Lee team up for a perfume advertisement. A fight scene shot on the rooftops, with murderous cyclists, is the only one that stands out in the entire film.<br/>Despite being a love story, the romance angle is uninspired. Diya does not seem drawn to Lingesan, except for his machismo.<br/><br/><br/>The dramatic scenes in the latter half of the film are heavy-handed and replete with ham moments that could give a butcher a complex. Lavishly shot song sequences to dot the narrative, end up stretching the film’s running time and the audience’s patience. Despite some stunning visuals, the songs offer little by way of melody.<br/><br/>Even Santhanam, as Lingesan’s friend, can do little to lighten up the dull story. The film is anchored by a good performance from Vikram in Quasimodo mode (that’s some great makeup there), which

'I' Full Movie 4K _ Chiyaan Vikram, Amy Jackson _ Shankar _ Action & Love Story

⏲ 3:9:3 👁 340K

Gaither Music TV

Alan Jackson - I Want To Stroll Over Heaven With You (Live)

⏲ 2 minutes 53 seconds 👁 7M

Gaither Music TV

Alan Jackson - Are You Washed In The Blood? I'll Fly Away (Medley Live)

⏲ 3 minutes 44 seconds 👁 2.6M

Podcast by: Gail Nobles<br/>Story and Art by: Gail Nobles<br/><br/>The King of Pop was musical & magical. Every five years I waited for him, to fill the radio waves up with something new. He was the airwing. When I heard his 1979 song Off The Wall, the message I received from it was to live. When I heard it, I felt like living. I felt like dancing. I felt like singing. And right now in 2024, I have to hear his Off The Wall single. I feel alive, inspired, and grateful for the beauty and power of his music. <br/><br/>Michael had a way of touching souls and bringing people together through that song “Off The Wall”. His music was a great gift to the world, and his legacy will forever live on through his timeless melodies. The musical magical airwing MJ who brought us the album Off The Wall.<br/><br/>I’m Gail Nobles. We will never forget Michael Jackson.<br/>

⏲ 1:44 👁 110K

Country Gold

Old Country Gospel Songs Of All Time With Lyrics - Most Popular Old Christian Country Gospel 2024

⏲ 53 minutes 8 seconds 👁 135.5K

Alan Jackson

Alan Jackson - Amazing Grace (Official Music Video)

⏲ 4 minutes 3 seconds 👁 17.2M

A1Intro Talking 0:12<br/>A2Crazy Mabel 3:05<br/>A3Keep On Rolling 3:27<br/>A4Driving Song 3:45<br/>A5Beat Goes On 6:20<br/>A6Rag And Bone Man 4:32<br/>B1It's Alright, Ma (It's Only Witchcraft) 4:26<br/>B2You've Never Had It 4:15<br/>B3Sleepy Feeling 4:05<br/>B4Tea Time 5:40<br/>B5Splitting 6:26<br/>Record Company – Orange (11)<br/>Recorded At – The Pheasantry<br/>Alto Saxophone, Flute – Geoff Leigh<br/>Bass – Jim Sullivan<br/>Design, Photography By – Terence Ibbott<br/>Drums – Les Cirkle*<br/>Engineer [Production Engineer] – Brian Hatt<br/>Lead Guitar – Mick Connell<br/>Music Director [Musical Director] – Bryn Collinson, Mick Connell<br/>Piano – Tom Parker<br/>Tenor Saxophone – Bryn Collinson<br/>Vocals – Alan Spriggs

Crazy Mabel – Crazy Mabel Rock, Prog Rock, Blues Rock 1970

⏲ 45:22 👁 55K

Jonathan Cahn Official

JCN 24 Hour Streaming | Jonathan Cahn Sermons

⏲

Country Gospel Music

Precious Memories- Top Hits Alan Jackson Country Gospel Songs Ever Playlist - Country Gospel Songs

⏲ 56 minutes 38 seconds 👁 57.9K

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