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_pushpa-the-rise-2021---allu-arjun-rashmika-mandanna---blockbuster-full-hd-movie.webp "First, director Sukumar was conspicuously missing from the promotions. They said he was busy with the film's post-production work. No one knew whether it was last minute hustle or a filmmaker painstakingly sculpting his magnum opus frame by frame. Then, there is Allu Arjun who's been on the verge of breaking into the topmost tier of stardom. Yes, he's already a big star, but not yet the unquestioned superstar he is capable of becoming — one whose success or failures do nothing to dent the stardom.<br/><br/>There is also the issue regarding Devi Sri Prasad's music, which hasn't seen big highs in a long time, given he reserves his best for Sukumar — case in point Rangasthalam. And finally, the decision to break the film into two parts after announcing it as a single film has been most curious. Would the film have enough meat for two parts or was it trying to cash in on the success formula of KGF and Baahubali? Given how much buzz there is around the production and release of the film, it is almost impossible to see it as an independent work of art alone. But one must try.<br/><br/>Pushpa tells the story of a coolie Pushparaaj who is denied a surname because of his bastard status. He is constantly disrespected by his 'brothers' and the society around him in Chittoor District. But Pushpa has a super-power to smuggle red sanders which earns him a place in the good books of a local smuggler. Pushpa: The Rise, like a diligent biopic, chronicles the rise of its eponymous hero to the top of the pyramid… until something happens, but I'm getting ahead of myself. <br/><br/>The comparisons to Sukumar's previous work Rangasthalam are easy to make because these are both rural dramas and both have themes of upper-caste men abusing their power. And the music and songs have parallels too. Sukumar has a habit of correcting one film's mistakes in the next one. Whether they were the screenplay loopholes in 1 Nenokkaidine that made way for a more straightforward screenplay in Nannaku Prematho or the 'psychopathic' nature of Aarya in Aarya 2 being replaced with a more palatable egotist in 100% Love's Balu. <br/><br/>Pushpa, however, borrows from Sukumar's first mis-hit Jagadam. There too a young man rises up the ranks in the criminal world at great personal cost. That film, while labelled 'ahead of its time,' suffered from an inability to stay focused on its character. In Pushpa, Sukumar corrects that mistake and delivers some stunning set pieces. The sequence where Pushpa saves the day when it looks like the smugglers are done for is a stellar example. The interval sequence sets the screen on fire.")
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